Euro Mags: Science, Tech, & Nature

May 31st, 2010

Below is an editorial portrait of biologist Janine Benyus for Future Magazine, a Swedish publication about engineering. Photographed at the UC Berkeley Botanical Gardens, Janine Benyus is a founder of the Biomimicry Guild which specializes in finding solutions to modern design problems by studying answers that exist in nature. She has worked with the automotive industry by experimenting with paint finishes that perform like a leaf that washes itself with the help of raindrops. In our conversation on the day of the shoot Janine told me about wrapping synthetic fabrics over buildings to improve the efficiency of the building’s heating and insulation. Imagine walking into a building with cloth fabric on the outside! This is very interesting and powerful science. Maybe Janine can find a solution to the BP oil spill in the Gulf. She is a getting a lot of attention for her research and these photos were also published this month by the French science and technology magazine Science & Vie. Big ups to the Euros for sending me some gigs in San Francisco!

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Inked Magazine: Freddy Corbin

December 1st, 2009

The November issue of Inked Magazine features a multi page piece I shot of Oakland tattoo artist Freddy Corbin (not without incident, see below) for the “Icons” section. This may not be the most timeliest piece of news but hey, it was a fairly busy month. An interview of Mr. Corbin is featured at Inked online here. He also makes an appearance in the season finale of Sons Of Anarchy which airs this week on FX. SOA is a decent soap opera filled with guns, snitches, politics, and thugs. Freddy is too nice for any of those parlor games so I look forward to seeing his cameo.

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Freddy Corbin, Oakland, CA • Inked Magazine. © Jay Watson Photography
Freddy Corbin, Oakland, CA • Inked Magazine. © Jay Watson Photography

Freddy Corbin, Oakland, CAOuttake: Freddy Corbin, Oakland, CA • Inked Magazine. © Jay Watson Photography

On a side note, Freddy “collects” tattoos from his friends who are not tattoo artists. Would you do that for friendship? Inked also listed me as a contributor in the November issue which is still on the shelves until December 15th.

Inked Magazine, contributor section Nov issue

Interview(s): Grant Brittain

March 19th, 2009

self portrait, Grant Brittain.

Self portrait, Grant Brittain. “I want to be buried with my Leica.”

What do you do when you are a photographer and part owner of a magazine when today’s publishing industry is scratching it’s head on how to stay in business? Here is a pseudo answer from an interview of Grant Brittain. In 2006 The Untold True Story asked GB: “What’s the difference between shooting the Bones Brigade Chin Ramp and say, Gonz during the early nineties or Kerry Getz in this decade?

“The photos are basically the same, back then, you could shoot just about anything and it could get in the mag. Now, it’s the Trick of the Week, acceptability of the trick is a bigger factor. Stuff gets old fast. It’s a One Up contest and now a video part can pretty much out date a sequence in a mag. Timing in the mag is everything, gotta get it in the mag before it’s on video, TV or the Internet. Magazines are up against those other media sources now.” -GB

Since Grant is both a photographer and a mag publisher, naturally he catches my attention when he has anything to say about the publishing biz. With so much talk about the economy and the threat against printed media from RSS feeds, blogs, and free internet news sites, I got in touch with Grant and asked him a few more specific questions on these topics.

How is The Skateboarding Mag (Grant’s magazine) dealing with the changes in the economy and changes in the publishing industry?

“I think we are able to cope with the whole downturn in the economy a little better than the corporate magazines. We can make snap decisions and tailor the magazine to our economic needs. Corporate entities usually cut staff, we can’t do that, we already run on minimal staff and we would have to lay ourselves off, we’re the owners, so I guess we aren’t going to do that. We run everything pretty lean and smart.”

Many publishers are feeling the pressure to shift their printed media over to an online format? How are you balancing the two mediums right now?

“It’s (the internet) great for publishing and documenting news. That’s one of the reasons we decided not to run that many contests in the mag. By the time we run them in the mag, they are old news. We try to use our internet site to show events, video clips, links to our advertisers and non-advertisers, press releases and other time sensitive overflow from the magazine. There are some things that the printed mag can do and can’t do and the same with the web. Used correctly, I think that our site can only serve to enhance the printed side of the magazine…We are not a news outlet as far as the print side goes. The Skateboard Mag in printed form is more about entertainment and the lifestyle, the content we run can be looked at and enjoyed and collected for years to come.”

If magazines do evolve to a strictly online format, how do you foresee revenue to be generated? Online subscriptions? Online advertisers?

“As far as advertising and selling subscriptions to the Internet site, that’s a hard one. Selling ads on a website can be a hard sell. Some advertisers are not all that web savvy, so they don’t see the value of running an ad on a website. Web users are used to getting everything for free and are hyper web savvy, if they have to pay for the information, they’ll just move on to a free venue. If a magazine wants to try to sell extra online features, archived material, poster downloads, etc., that might be a way to bring in extra revenue. As it stands now, advertising on the site (www.theskateboardmag.com) pays for the site, otherwise it’s being subsidized by the Printed Pub. It’s all open out there and a big gamble.”

Considering the current meltdown of printed magazines and newspapers, how are you able to keep your magazine relevant in today’s market?

“We will continue to publish our magazine. Magazines are and have always been a large part of skateboarding. It’s still a big deal for skaters to have their interviews and photos in a magazine. Anyone can be on the internet, good or bad. Magazines are usually better quality than the internet and you plaster your walls with the mag photos.” (Spoken like a true photographer whose images were once plastered all over my walls.)

Grant Brittain lives in Encinitas, CA and is the chief photographer and part owner of The Skateboard Mag.  He is also an editorial legend, spanning 3 decades of skateboarding history for numerous magazines, yet his work is not tied to just the skate genre. Grant shows his work often in gallery shows, guest lectures, shoots personal work, landscapes, and is a strong portrait photographer. Thanks for the words Grant. Much appreciated friend.

Losi at Del Mar. photo by Grant BrittainLayback Air by Allen Losi, 1984. Del Mar Skate Ranch. photo by Grant Brittain

Full interview by the Untold True Story and more GB photos here. Recently another short interview of GB was posted at Skate Infusion here.

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Being Versatile: part 2

April 29th, 2008

versatile – ver·sa·tile, adjective
from Webster’s dictionary:

3: capable of turning forward or backward, reversible, capable of moving laterally and up and down

4: having many uses or applications

26 year old Kevin Pomplun, CEO of SkyGrid. © Jay Watson Photography

Last week I shot a corporate portrait for a New York financial magazine. These are the type of assignments some call “bread and butter” gigs. This is not the type of work I seek out, but something I have to be good at or else I would be turning down a large amount of work. Sometimes these are word of mouth assignments. If I do a good job, the art director will most likely spread the word. These deadlines are VERY tight and art directors need someone dependable.

This shoot was on Wed at 12 noon. Early edits were uploaded Thursday morning 10 am, selects were made by the art director 40 minutes later, and final images were transmitted on Thursday 2 pm (4:00 NY time). If you can work quickly and apply some creativity to these situations, you can find yourself to be “the go to guy” for a few different art directors

Is it stressful? Yes and No. Read the rest of this entry »